The façade composition is made with projections and recesses from materials like reinforced concrete, metallic mesh and wood panelling. A wood framed Japanese tea-house style area with soft furnishings provides a more casual space for meeting or informal work. Oct 27, 2016 - Image 5 of 23 from gallery of House in House / Steffen Welsch Architects. This play between black and white sets the framework for other colors and materials. Translucent entrances, recessed into niches, underline the structural aspect of the wood-panelled volumes, while letting light into the reception area. The interior apartments are made from warm surfaces of parquet flooring and natural stone tiling. In the context of a grand salon inside the Château de Mambaye, Sebastian Moreno-Vacca – our founder & architect principal – was invited by our client, IDM Group, to engage yesterday evening with the citizens of Spa during a presentation about our next project in their city: the very first CO2 neutral holiday village! Benches in Prussian Blue frame the boundaries of the space. Clear gallery-style rooms are the result, whose character is accentuated by a minimalistic lighting concept from PSLab. On the courtyard terrace a large area of wooden decking and bright yellow garden huts extends the interior conversion to the outdoors, providing opportunities for parties and functions as well as for lunch and coffee. A millwork door in the hallway serves a double purpose to help choreograph these use patterns: it usually aligns with the hallway but opens perpendicularly to direct guests away from the private quarters to the roof terrace. Each treatment room has a fully featured fitted medical work area, with Fenix smart nanotech surfacing. On special request, guests are welcomed into the show kitchen at the bar’s white Carrara marble counter to have a private dining experience. Made of the same oak typically used for champagne boxes, its location directly next to the kitchen allows guests a perfect view into the interior of Tim Raue’s sanctuary. As employees walk along the corridor, the team rooms present themselves a diverse choice of colorful and surprising shop windows. The living and dining area – lit from two sides – and the kitchen, are grouped around the elevator core. The differentiated lighting concept was developed for the salon by PSLab. Industriel/ collectif/ accession/ marchés publics ou privés/ villages de vacances etc... Logg Dich jetzt ein, um das ganze Profil zu sehen. The clarity of the design is underlined by hiding all ironmongery from sight and by avoiding the use of door handles. The concept is reviewed for each hotel as regards design and optimization of the budget, while also asking whether quality and guests’ comfort can be raised even higher; each hotel is therefore an update and constant improvement on the original design. An operational follow-up integrating the constraints of interior design firms (responsiveness, delays, budget). We developed a tailor-made architecture for the exhibition "The Delicate Glow", which is dedicated to beauty. The building is located in Prenzlauer Berg and was made available by two members of the community. As soon as one enters the apartment, one’s eye falls on the fireplace wall with its built-in cabinets and drawers. The elements of the new office design enclose the building’s structure without disturbing it, and feature bold, durable, and inexpensive materials. Since collaboration with colleagues and with clients is so critical to the work that Futurice does, the team rooms receive most of the design attention: meeting rooms, phone booths, welcome areas, printer areas, storage spaces, kitchens, and multifunctional spaces - rooms for meeting in person as well as for conference calls. The restaurant is divided into a “white cube” on the ground floor with a “black box” below. The highlight of the restaurant is the “Krug Table” with its hand made metal marqueterie. Ester Bruzkus, Patrick Batek, Ulrike Wittenbach (for Bruzkus Batek). Inspiration for the wood sleeping box came from the traditional Japanese house where changes in room heights are used to differentiate public from private space. n o 5269, 19 novembre 2004 Piscine Malakoff à Nantes. The cinema has seven screens, six hundred seats, an extensive public lobby, and two service areas. The station-like aspect of the entrance area posed a particular challenge, but here the idea of the “living lobby” proved to be ideal, providing designated areas for sitting, working and relaxing even for large numbers of guests – in high-season up to 2000 people per day – using furniture and lighting designed by Ester Bruzkus and Patrick Batek. For the past few months, our teams have been working very hard on it, so this […], A new render is in town! These dense centers of exchange are defined by edges, paths and colorful displays and the new planning introduces a contemporary vision of a "street" between "façades" of contrasting materiality, surrounding an open "marketplace" - all marked by color, texture, transparency and reflectivity. Search 2,479 La Garenne-Colombes, France architects and architectural designers to find the best architect or architectural designer for your project. Photographs of the sets were used in international campaigns to advertise Miele's top-of-the-line minimalist products. The space is therefore adjustable and expandable according to the particular needs of the users. The different patterns are likewise a playful montage of materials including vintage designs from from Richard Morris & Co and the Swedish designer Estrid Ericson. See more ideas about architecture presentation, diagram architecture, architecture graphics. A New York couple’s Berlin pied-à-terre was redesigned as a quiet retreat with muted colors. Ester Bruzkus, Patrick Batek, Anke Müller, Minwon Kim (for Bruzkus Batek). A separating wall divides the kitchen from the dining and living zone with its large dining table and marble-clad fireplace. In each room, differently colored curtains create a soft plane of fabric along the corridor window and introduce acoustic dampening, potential privacy from the hall, and a soft domestic touch. A warmer wooden “box” straddles a neutral white container and becomes the main bathroom. Architectural professionals benefit from stimulating, up-to-date informative material for design and planning. Ester Bruzkus, Ulrike Wattenbach, Alexandra Spiegel, Zlatan Kukic. The Japanese dishes are prepared directly at the white Carrara marble counter, separated from diners by a narrow panel of smoked glass. Lighted vintage-lettered signs in different colours and sizes combine to create eye-catching installations that show the way to the reception, restaurant or bar. This Moscow-based couple’s second home is located on the ground floor of a classical villa in the Grunewald district of Berlin. Remaining true to their high aspirations and to their restrained style, the architects have created a series of modern and charming three-star-plus hotels with a warm yet unpretentious atmosphere. Even the fridge door opens simply via gentle pressure – and with the help of an integrated motor. Sebastian Moreno-Vacca and Manon Meskens have been invited as presenters at AIBC’s 2020 Fall Professional Development Series in British Columbia. The palette of rich colors contrasts with neutral raw concrete walls and ceilings; in addition to the deep green of the central millwork are richly colored natural quartzite stones, terrazzo, brass, botanical silks and colorful fabrics designed by Josef Frank. Ester Bruzkus, Patrick Batek, Ulrike Wattenbach, Kerstin Günther (for Bruzkus Batek). 01/11/20 - CALIFANO-WALCH, Cécile, HORODYSKI, Catherine, ZEST - Agences d'Urbanisme Grand Est, ROUQUETTE, Marion, AURM - Agence d'Urbanisme de la Région Mulhousienne, The historic lines of each room presents a design dialogue with bespoke furnishings and light fixtures made from fabrics and metals of brass, patterns, textures & colors - vintage and modern. The master bath is composed from green marble and terrazzo, textured glass, and custom mirrors and sink basin. "I enjoy working with unexpected moments of surprise," says Ester Bruzkus. Ester Bruzkus, Patrick Batek, Anke Müller, Lisa Plücker (for Bruzkus Batek). The plan alternatives also demonstrate how a tenant could use an entire floor, or parts of any floor. Using bright colors, custom furniture, clever purchases and cost-effective transformations, Ester Bruzkus Architekten have enlivened, unified and updated the collaborative workspace for Futurice. Paying careful attention to preserving historic building fabric, the designers also restored important interior details: stucco profiles, wooden panels, antique doors and the marble fireplace. The elevator opens directly into the apartment. The other freestanding chair that is used is the Verpan Chair, designed by Verner Panton in 1967. The extensive arrangement of large potted evergreen plants on the outside terrace extend the relaxing atmosphere past the window wall. The design results from a dialogue between volumes of distinct material identity. Garden platforms and wide stairs mediate the difference between the levels. WINNER of the 2019 FRAME Magazine Awards Entertainment Venue of the Year! Ester Bruzkus, Patrick BateK, Anke Müller, Minwon Kim (for Bruzkus Batek). Ester Bruzkus and Patrick Batek have carried their new concept for the international hotel chain AZIMUT through to the eastern terminus of the Trans-Siberian Railway, transforming the AZIMUT Vladivostok into a modern, charming 4-star hotel with a warm yet simple atmosphere. The design takes advantage of the best attributes of the site in the ground floor of the new Suhrkamp Verlag building by Bundschuh Architekten. Enseignant vacataire de 2005 à 2011 à l'E.NS.A.N. Exterior rooms expand the concept onto the roof terrace, where a variety of outdoor volumes, spaces and framed views create a rooftop garden. The inside of each of the screening rooms has its own identifying color and its own characteristic lighting pattern. The overall space will have a distinctive material presence: major separation walls will be made from polychromatic glass which change their level of transparency based on where one views it from. There are no dividing walls here: functions merge seamlessly into each other and can, if needed, be visually separated by sliding doors. Architectes, ingénieurs, paysagistes et urbanistes composent les équipes de Patriarche. The design strategy gives each team space its own distinctive color: everything in the team rooms is unified by a common hue - wall paint, carpet, furniture, lighting, film on corridor glass panels, and fabric curtains. Monde Dans la ville de Nanchang, le cabinet d’architecture norvégien Nordic a construit un complexe multifonctionnel en spirale connecté aux éléments. Set designs for Miele's Artline were used to present the new Miele products. A large room on another floor has been developed as a multi-function space and company canteen. Arriving by elevator, one comes first to the kitchen, and then to the corner fireplace, designed to conceal an immobile concrete column. Le Moniteur. Inside, the public spaces offer a dark and seductive sequence of reflective surfaces that lead past the day-lit library and reception area, through the glossy ebony-lined bar and open kitchen to a sculptural fireplace of green marble and glass. LPH 1-8 Interior Architecture, Furniture Design, Ester Bruzkus, Gizzem Cinar, Iwetta Ullenboom, Damla Baykaldi, Minwon Kim. A dark and reflective palette is used to make the stylish interior of the compact boutique hotel. – Our commitment to urban decarbonization finds an attentive ear in Spa, where we are taking part in this ambitious project that will […], For a few weeks now, our colleague Maximilien has been visiting the workers who are currently on site in order to help them figure out ways to infuse new energy into the Ekla project. Featuring 6 days of programming, over 50 countries represented, 300 hours of content across three times zones, 400 international speakers and over 10,000 attendees… […], | talk | A2M is back in Vancouver… virtually and continuing to pave a sustainable future. The steep angles of the kitchen furniture offset the combination with perfect coordination, looking out onto the open dining area and dividing the sleeping quarters behind. The highlights of the lobby are the typical Azimut gold-coloured reception block and the eye-catching signage installations that show the way to the reception, restaurant or bar. Les deux structures ont été dessinées par le cabinet d'architecture HOK. Seating in the canteen is constructed from inexpensive Oriented Strand Board (OSB) and contrasts with dark blue tile walls and the austere, industrial design of the host building to create both a warm and a cool atmosphere. The rich material palette of extruded and foamed metals and resins is contrasted with special polychromatic elements to suggest featured moments of product presentation. The designs combine the antique and the new in familiar and surprising ways. Winner of Verlag Callwey's First Prize, Most Beautiful German Apartment, BEST OF INTERIOR 2018. Bright neon lighting evokes the sense of an art gallery, while individual exhibits and points of interest have their own subtle accent lighting. Ester Bruzkus and Patrick Batek developed the new vision for the AZIMUT international chain of hotels. The apartment occupies a well-lit L-shaped space of a former hat factory in Berlin-Kreuzberg. The design is based on strong material contrasts: the office area adjacent to the reception area is clad in mirrors that conceals functional elements (the bar buffet, self-service refrigerators and storage lockers) and constantly changes with reflections. By treating architectural materials with the same approach as the chefs approach the meal, Ester Bruzkus Architekten have created a restaurant for chefs Lode van Zuylen and Stijn Remi that is bright, carefully detailed, and made from architectural materials that come together like a well crafted meal. Diplômé de l'école d'Architecture de Nantes le 7 mars 1988 Enseignant vacataire «cycle dplg2» de 1996 à 1998 à l'E.N.S.A.N. In the design, discrete volumes are in dialogue - the fireplace, the kitchen, furniture - to scale and zone the large public room. Diplôme en architecture, développement durable et processus H.Q.E., 2008-2009 Cabinet d'architecture Bruno Derne/ Perspective Building SARL. Hochbauarchitekten PSP Weltner Louvieaux Architekten GmbH, Ester Bruzkus, Patrick Batek, Ulrike Wattenbach, Holger Duwe, Iwetta Ullenboom, Julia Mair, Minwon Kim, Alina Holtmann (for Bruzkus Batek). 06.10.2014 - Entdecken Sie alle Informationen zu Schiebe-Fensterladen LOGGIAWOOD® PARO & LOGGIAWOOD® PARO PRIVACY von der Firma RENSON. The interior design of the L.A. Poke makes use of contrasts of thick and thin, sharp and soft, curved and straight, rough and smooth. The design begin with OMA’s Master Plan which separates the building into four quadrants, each with its own distinctively geometric atrium. Indeed, […]. The original material palette consisted of bright blue epoxy floors, wood exterior doors, metal grating and exposed concrete. The walls are and sliding doors are clad with vertical wooden slats so that they blend together into a rich material plane. 2014. An arched wooden slatted structure was inserted within a simple bare interior space, simultaneously creating clear spatial definition as well as a sense of spaciousness . Oct 4, 2020 - Photos and Videos 3 of 16 from project Liege Theater | Atelier d'architecture Pierre Hebbelinck It is familiar and new, innovative and based in tradition, comfortable and stylish. Built-in spotlights are located between the ceiling slats. Light metal framed custom-designed desks create airy workspaces. LPH 1-9, Interior Architecture, Furniture Design, Ester Bruzkus, Peter Greenberg, Stephanie The kitchen cabinets share the detailing of the core hallway and doors so that it is treated like an elegant piece of built-in furniture to anchor a spacious and open kitchen/living/dining area. Two opaques “boxes” structure the main office space: the white box houses offices and meeting rooms; the black box conceals the restrooms and the server room. Above the horizon line, on and the walls as well as the ceilings, they use the color terre sienne pâle, this time on a rough surface, which suggests the summer sun striking a clay wall - Le Corbusier describes it as "sandy, subtle and restrained." In the box are hidden all the kitchen and bath services; around it are public rooms that face a view of the city on two sides and, on the interior, a more private enfilade of rooms for bathing. Color and careful detailing calmly and elegantly unify doors, cabinetry and rooms across the apartment. So the design idea was to make a Poke restaurant that was as relaxed as a day at the pool. The furniture and fittings are positioned like exhibits in front of the sheer white walls. The kitchen cupboards, constructed of light-colored wood, blend into a single volume until the doors are opened. The hall is designed to be a minimalist modern interpretation of the old space - unifying tall doors emphasize the majestic original height, custom panel detailing recalls traditional craft in a contemporary idiom, and integrated wardrobes transform the thickness of the walls into fine cabinetry.